About diamondseeds

I am a cake, I am a seed, I am a diamond-heart ed star!

Tributes

Earlier this year I had sad news of the demise of two people who I held as friends, although I do not see them very often.

Sadly Bob Hill passed away in Kent, it was a shock and I think my friends down there are still reeling. Bob was an incredibly talented man, he was a designer, architect and builder. He worked mainly in England’s South East and London I think, and I am sure his work will live on for centuries. Knowing him for a few years I appreciated his generosity and sense of humour.

As I reflected on him and his life I realized that Bob had subtly influenced me and I hadn’t even realized it. As I struggled to come to terms with his passing a tune entered my head and I realized it was the theme from the Worzel Gummidge children’s series. The reason for this was because the last time I visited Bob and his wife he had recommended I watch these kids videos, and I sat up at night and saw a few episodes. He just told me – ‘they are good, I don’t know why, but there is something about Worzel Gummage, you should watch them.’ I remember after a couple of episodes thinking – ‘I could write stuff like this, perhaps I should have a go at writing children’s stories.’

Looking back now I wonder if that was what Bob was getting at? I wonder if he recognized that type of creativeness in me, and without saying it he gently guided me into thinking of it myself? It was not long afterwards that I began writing ‘The Exploding Birthday Cake’ the first in the Gwubbins the Witch series for children. I didn’t realize until the sad news about Bob that he had been the initiator of this creative process.

Bob Hill

Bob Hill

The second person to cross over was a friend to me when I was a teenager, just before and after I ran away from home. Lorna was married to Brian. This couple allowed me as a feral kid into their home. I had a lot of respect for this couple because they chose their lifestyle, didn’t hurt anyone and accepted kids like me.

I was eighteen when I said to Lorna that I was going to get a tattoo. She looked at me and said ‘why don’t you think about it for five years?’ Years later I realized that was the best advice anyone could have given a headstrong kid of that age.

Lorna from Luton

Lorna from Luton

What really fascinated me about Lorna was that she was into magic and Tarot. My life moved on, but because of Lorna’s influence I acquainted myself with Tarot and became a reader and wrote books about the cards. I discovered that the Tarot held a structure, and suggested a framework for building a fulfilling life which I could not relate to anywhere else. From Tarot I discovered Buddhism and tarot encouraged me to travel.

One year I went to Lorna’s house for a Halloween party and it was the highlight of the year, for Lorna was a witch, of good intentions of course. This is how I will always remember Lorna and Brian (both now have passed on), they lived to enjoy life without apology, they understood that gaiety nurtured the soul, they loved music and were open to the mystical. They enriched their lives with magic – sometimes I thought their house was like a fairy grotto!

Lorna at Halloween

Lorna at Halloween

My life was very different from Lorna’s – I wasn’t into children and her children were everything to her. Yet, when we met up again years later we still had a connection, we did not judge each other and I always felt that she was my friend, despite rarely seeing her.
When she died her kids were young adults, they made her funeral into a party because that is exactly what Lorna would have wanted.

It was a privilege to know these people who both passed before their time. I am sad at their loss, but rejoice in the goodness that they gave to their family and friends and the  influences that they had on me.

Both were very different people, but both would have said the same thing – ‘Be the best you can be.’ May they rest in peace.

Writing About Music and Theater

Ella Jo discusses why she has chosen her subject matters.

In this post I explain why I think it is important to write about the theater and a rock show – examining their cultural significance.

There is a real life politician who would ban rock bands. (West Tyrone, Ireland). This is a revelation. At present I am writing a story about a dog who joins a band and plays rock shows. Is that bad? Plenty of people enjoy rock music and plenty of kids like to play air guitar now and again, even if they never bother to learn an instrument. The most base reason is that rock music is pure fun. Having recently watched a BBC docu charting the history of rock music, I think I gained a balanced view on the genre. It has been degraded in recent decades, but it is not dead.

I entertain the notion that most music is credible. It benefits the individual, (making it or just listening) and it benefits society as well. It is therapy, poetry, an outlet for anger and passion and much more. Music nurtures the youth and cradles the adult. It resonates deeply within each individual; your musical taste informs the world about you, and it makes for dancing!

As a music lover it seems natural to write stories about music and performance. In the world of insipid, competitive, shallow, farcical, celebrity culture many young people do not realize there is so much more to it. I am no expert, I just know that music was my crutch, and my inspiration, and it worked like therapy on different levels.

I am excited by music in an historical context. Such an ethereal substance is hard to measure and substantiate and bears controversy – I mean the idea that vocal harmony did not exist until the church invented it seems preposterous to me, yet this is believed by many.

Music and performance is art – an integral part of human culture. So I make no excuses for taking my characters to theaters and rock shows. If I must face bigotry it harks back from a Victorian age when actresses and singers were frowned upon for dressing up and wearing makeup – the connection with ‘working girls’ is obvious. I view it as a class issue. I understand how Puritanical and Victorian values have influenced English society. When these conditions dominate performing arts cannot thrive. Music and drama becomes distorted and smutty. In modern times the arts could thrive, if only the funding would allow.

My function as a writer is to preserve cultural life where music and expression is like cultural glue. It has a history, it binds, it attracts good things/people and bad things/people. It is a metaphor for life! I refuse to be embarrassed by harmless fun. I am perfectly aware of my responsibilities.

I believe that the history of music and folk culture is just as important as any other type of history. Unfortunately this ‘culture glue’ is not celebrated fully by the modern education establishment. School music in the UK tends to be religious – still singing hymns written in the 1800s.
Easter Passion Plays were amongst the earliest expression of drama in England. Ordinary people enacted the crucifixion in the streets. (1110 – The first performance of a miracle play in England given at Dunstable Priory). Before Christianity there must have been pagan rituals where Shamanic ‘acting’ bound people with natural events. Clearly today, we observe how dramatizing a story reinforces the culture, as in the school nativity at Christmas. However nonsensical, the children love to act. In the 11th century the Mummers plays introduced the new concept of doctors and war propaganda with the Saracens. This form of performance could have been discovered from Middle Eastern traditions of story-telling, interwoven in native traditions by the homecoming crusaders.(Hence St George- a Turkish figure makes his first appearance and is so thoroughly absorbed that he now signifies Englishness!)

The English seemed to have a rich, unfettered love of music and country dancing until the 1560s. The church clamped down on what must have been memories of pagan festivals, eventually eradicating them along with freedom of artistic (or any) expression. The Puritans (mainly from the 16th-17th Century) banned dancing and were strict about music, if they had it at all. Life was stuffy, uncomfortable and boring. I view the Puritans as fundamentalists who crushed the human spirit. No festivals, no outward expression of gaiety, they lacked generosity and spied on one another for religious misdemeanors. Superstitious and stupid, their restrictions must have been dreadful.

The theater survived (this was the time of Shakespeare) but many plays from that time have have been lost. Luckily the Puritans couldn’t keep it up for long. The world moved on and eventually the Morris men emerged, although there seems they had no place for women. As the industrial revolution began to destroy the old ways, Music Hall came into its own as singalong and sheet music was popular – it was commonplace to have a piano in the house. Classical music was well established by then, but seemed to be another marker of class as Empire building split the upper from the lower class in a different, but just as exploitative Victorian system.

We still have cinema which over took the music hall and still forms a bridge between modern cultures. Big band music kept peoples spirits up during the 2nd world war, then music went electric!

Pop music I believe is misnamed. It is popular folk music with its roots in American Slaves music. Recording technology captured Rock n Roll, then there was a songwriting explosion from the Beatles in the 1960s to the beginning of rave culture. After that I think pop music has been pulped by corporations and the original art form is lost in a commercial rampage. Popular ‘folk’ music is all at sea as the internet age tries to scramble a new format for true artists to be heard in the 21st century. (The West End/Broadway shows still run but very few ‘hit’ songs seem to emanate from them in recent years).

So for me, those decades from the 60s to the 90s make up an important musical heritage. My personal aim is to champion music in this form – with all of its variations.
Why it is good to be a musician
Creative thought – when composing tunes and musical parts, and writing lyrics.
Joining a band makes a person learn team work.
Playing to a live audience and recording – teaches self discipline, confidence and perfectionism.
When things go wrong – learning how to control ego and narcissism.
My reason for writing about Theater, Music and Rock Shows is to reflect the fact that music flows like a cultural spring, that it stimulates personal growth and is pure fun.

So no apologies to the prospective MP of West Tyrone. It appears that she would throw gay people into prison as well. We should cover her in chocolate and leave her up a mountain until she can laugh at herself. Thankfully she is in the minority. I am free to weave my stories around precious cultural icons that survived the Puritans and the Victorians and that are bound to be re-invented for a future fated to be influenced by technology. Or maybe not. Humans are strange, there are still brilliant buskers and genius musicians who would rather play around a campfire in a field.

We may yet be driven back to the roots of street plays and old fashioned story telling. Whatever happens, my characters will be there, howling, yodeling and rocking out with pure joy – even in West Tyrone.

Making a Children’s Audio Book #4

In this post I discuss writing for children and it’s wider implications for society.

I do not approach this subject as a mother, but as a commentator of what is at stake for society. If humans wish to evolve, we should expect that our children will live in improved societies of the future. But it is today’s children who will create the future, so it follows that what is fed into their minds is going to ultimately affect the culture of future society.

Simply put, parents need to raise a happy child who has the tools to contribute to society when they are an adult. I realize that many parents don’t have time to look at the long view as they rush about in the present world. I am bashing this system, but am willing to explain why.

I believe that childhood experience/exposure affects child and adult behaviour. Violence in the media makes a good example. It is damaging and has unconscious long-term effects. I believe that parents must have a hard time protecting their children from harmless looking media that promotes violence (not to mention guns). Virtual characters in video/computer games playing out violent scenarios seems wrong to me. The human brain still computes the violence whether animated, on screen or real. Kids are sensitive, they need monitoring.

So when I find that a Lit Agent wants stories full of ‘action’ with intense writing designed to grip the child my reaction is to turn away. Kids who thrive on this genre will read a comic. In my opinion a book is for savouring.

Remember that lovely moment when you have read a paragraph that flows so beautifully, rolling with rhythm and revelation that you have to read it again. That is so delicious. Better than Lemon Meringue (or equal to it!).

Why encourage children to steam through action packed throw away material? It implies to me that the literary world wants kids to chew up material as fast as possible, the shallower the story the better, just so that the book will be finished and the parents will have to buy another one. (Consume little air head, stuff yourself full and tell yourself how clever you are to get through the story so fast).

Sorry, but that is not my way. Adult skills can be learned in childhood. One incredibly subtle, but important tool is self discipline. Children who do not learn self discipline face difficulties in adulthood. Reading is an excellent tool for learning self discipline.First of all you have to actually learn to read. Then you have to concentrate on understanding what you are reading, not to mention ordering your life to allow you the space to sit and read. Quieting the mind and making an effort as well as processing the information that you have read, all takes self discipline. Reading can be a challenge that is relished as a good writer reveals an alternative universe.

The writers who helped me escape from the reality of my childhood offered me a passage to their world, built especially to entertain me. What a privilege. Life was slower then. Even Blue Peter was broadcast in muted colours. Children’s media today seems fast and gaudy. The senses are flooded repeatedly. And the result seems to desensitize the viewer or reader. The next treat has to be bigger, then bigger again. Disappointment is ultimately inevitable, surely?

So I am unafraid to add descriptions and to bring out the poetry of a piece of writing. I will not be panicked about building up the plot, keeping the reader engaged and entertained with the flow of the story. I trust the self discipline of my reader to engage with the world I have built and follow the path through it to the end.

Part of the fun should be discovering the characters, learning new ideas and relishing the ending.

So shove your modern consumerist ideas about children’s writing. I will do it my way. My wish is to write stories that stand the test of time. I want children to enjoy my stories when the system has changed and there is time to read to your child and spend time with your child instead of sitting for hours on a train or in a traffic jam, wondering if your child’s asthma will be worse when you get home.

My writing is a protest to our present system. But instead of hand wringing and chirping along with the multitudes mantra of ‘ain’t it awful’ I want to create something for the future to benefit mankind. They are only stories, but that is my contribution. They are designed to harmlessly entertain kids after a hard day of rocket science.

Evolution has given us the capacity to think and processes and enquire. Instead of using our imaginations to plot a downfall or plan a petty victory, why not positively create? We all loved stories when we were kids and that wont change, the world can go to shit but the children still need a bedtime story. Its a form of nourishment like food. The lit agent who wants action probably feeds her kids chips with everything. I suppose its a matter of taste. I propose children’s literature should entertain and stretch a child, surely that is better for our children and ultimately the future of society?

Children’s Audio Books #3

Content Quality :
My research made me question what passes as satisfactory, adequate and appropriate material for children’s reading. I scanned comments on Amazon about the books recommended by one American website and concluded that story content must be a minefield for responsible parents. It also made me aware that recommendations cannot be taken blindly!

In-car journey entertainment or not, it is still imperative for stories to have standards. I accept that when researching American sites there will be some degree of cultural difference. But I could not help but be extremely underwhelmed at the samples I was able to hear. Not one book recommended for 4 up to 8 years seemed very good to me.

I looked at loyalbooks.com for a comparison website. The freebies annoyed me – I believe the narrators should be paid something even if the story is out of copyright. Non payment devalues their work and others like me. But after the gripe I came across stories produced by the BBC like the Railway Children – obviously using the BBC sound library which was delivered to an excellent standard and reasonably priced. A good option.

It seems to me that parents need to be shrewd when choosing material for their children and not blindly follow recommendations. The little people are totally at the mercy of the adults who choose what literature they are exposed to. We are all aware how things from childhood either enrich or haunt us for the rest of our lives – including the words and music we are exposed to.

Criticism of Authors:
Disturbingly, there are other problems with the material widely available which is deemed acceptable for children. It is just as well that some parents are not afraid to say so. Scanning Amazon feedback pages of what are supposed to be our best loved authors, I found criticism which was no less than scathing. Dahl, Rowlings and others all get a good dressing down for sloppy work.
There are so many other children’s authors out there and the classics from back in the day. Admittedly, the old classics feel dated but I am wondering whether new authors are locked out of the industry. Literary agents don’t seem to want unknown material and miss the point about audio books as far as I can see. I am certain that they reject some excellent authors.

What do people want from an children’s audio book?
Firstly quality – it is a terrible oversight not to give information about the length of the story on the cd – its the first thing I looked for.
Sound effects improves the narration – it takes more work, but I can hear the difference.
Too much, too expensive – I am referring to the ‘play, listen and read’ concept. This expensive option includes the audio story, a book to follow the words and what looks like fuzzyfelt for the ‘play’ aspect. It looks like a good quality product – but again no indication of the duration of the audio book. At over thirty quid I would want to know. However, the feedback for products such as this is positive – or that is the way it seems. I think it is another facet to the market which is interesting, but whether it is value for money is questionable.

Children’s Audio Books #2

Format and Supply

I am looking at creating my audiobooks on Compact Disc Format.
My reasons for this is that I personally like a product that I can handle. Looking back to the days of LP covers, my opinion is based on the same principle. As a kid I loved to look at the pictures on my LP covers. Also this is a platform which enables me to include information like the production credits. CD labels promote this website which connects the reader to other stories and information available.

I want to supply this product myself. I am not interested in dealing with Amazon for reasons of ethics and quality.
In my opinion Amazon have ethically failed with their working practices. I have already avoided them because of their unfair policies towards authors, (especially their exclusivity deals). Authors get a hard deal with Amazon. Their staff get a bad deal. And I think the customer is in a hit or miss situation with this company. Yes people only write feedback to complain when things go wrong – but there are too many complaints.

Firstly I picked up that customers are sometimes confused by the selling pages and can buy the wrong product because it is unclear whether they were buying a book or a CD version of a story. Amongst other things the packaging has also been described as terrible.
Unforgivable guffs are box sets with CD’s missing, or being in the wrong order.

I already have a reasonable supplier who can fulfill small orders effectively. This is perfectly adequate for my needs at the moment.

Mick Mercer’s show – Almost Anglo Saxon track – another play!

What a lovely surprise to find that Mick Mercer played another track from Almost Anglo Saxon on his show!

Mick Mercer - check out his radio show

Mick Mercer – check out his radio show

I was gobsmacked that he played The Ballad of St Margaret – although I had already clocked that Spon seemed to like this track.

Mick Mercer’s Radio Show Here
I had written this song as I discovered that Margaret was a genuine Saxon princess and her family were invited to continue the Anglo Saxon line of English royalty. Needless to say 1066 was not a good year to turn up. She fled with her mother and ended up in Scotland as her ship was blown off course.

The tale becomes a love story as the Scottish king fell in love with her and she became Queen of Scotland. As she was a very religious Christian I wrote the song as a sort of hymn. I wanted to tell this Anglo Saxon woman’s story as she was greatly loved in her own lifetime and beyond.

I feel very honored to have my work appreciated and played on Mick’s show. Almost Anglo Saxon really is a special project. I hope that the world will one day come to know and love it.

Buy Almost Anglo Saxon Here

Almost Anglo Saxon Gets Radio Play!

Mick Mercer plays a track from Almost Anglo Saxon -  The Song of Wayland Smithy!

Mick Mercer plays a track from Almost Anglo Saxon – The Song of Wayland Smithy!

Mick Mercer played a track from Almost Anglo Saxon!
Isn’t radio play a great thing!
At the beginning of March Mick Mercer played a track from Almost Anglo-Saxon much to my delight!

Click here for Mick Mercer’s Radio Show for 8th March 2015

It is so gratifying to be recognized as a contributor to the music scene, as diluted as it is now that huge corporations have just about killed it. Mick Mercer truly enjoys discovering new music and plays a real mix of material. It was a pleasure to be included and be part of something so special.

The track was Wayland Smithy – although he was trying to play Eyes of An Eagle – it didn’t matter to me as I thought Wayland Smithy really stands out as different. My only regret was that the listening audience were not told the title of the song, so the lyrics were not put into any context. However, I believe that the sign of a good song is that it means many things to different people. The subject of Wayland Smithy is about loss and imprisonment (as Wayland the Smith was separated from his wife and kept prisoner by a king – to make fine jewellery. Wayland sought revenge by murdering the kings sons and making their skulls into fine cups for the king). I hope the song still entertains without the listener having to know exactly what the song is about!

Mick Mercer is also an author – usually about the Gothic genre!

Just one of Mick Mercer's publications

Just one of Mick Mercer’s publications

New Interview with Ella Jo

Almost Anglo Saxon CD front cover1Starting 2015 – An Interview with Ella Jo about her New Album Almost Anglo Saxon

This year Ella Jo finished the long awaited album ‘Almost Anglo Saxon’ – this is what she said to Diamond Seeds:

“It was a very enjoyable project and a fantastic challenge to learn history, write songs relating to that history and produce an album that is musically credible as well as educational. History has never been so much fun and the research turned up some interesting facts. Choosing subjects like King Ethelred the Unready and the folk tale of Wayland Smithy, I wanted to tell the stories as the Anglo Saxons may have told them.

Reflecting on the material I realize that I was trying to stand in the shoes of those who witnessed historical moments in Anglo Saxon History, like a woman watching the ships land when the Vikings invaded in the song ‘Dragon Ships’. There was also moments when I allowed A modern point of view such as ‘The Hidden Hoard’. In ‘The Minstrel’s Song’ I wanted to embrace the place of music in culture and show how highly it was valued in the past.”

Who is this album for?

“Everyone. The idea was to create a collection of modern day folk songs, but I am from a pop influenced background so the songs strode off into their own directions. We experimented all the way through this project wanting to create something new, but recognizable. I suppose Pink Floyd worked in a similar way when they experimented with the technology of their time. The challenge was to write good authentic songs. One way of keeping true to the idea was to turn things around. If I travelled back in time would the Anglo Saxons approve of my material? Or if I could bring Anglo Saxon musicians into a modern day recording studio would they have performed songs like mine? These ideas set the standards – and on a spiritual level there was an underlying will to please the ancestors.
So I suppose I wrote this album for the Anglo Saxons and all of their descendents and for anyone curious to know about them. All cultures could gain some insight from this album. As a songwriter I looked at the history and added human elements such as irony or joy.”

How did you write the songs?

“I really don’t know. A silent room will eventually allow words or a tune to develop. Some of this album was easy to write once I tapped into the zone – I had ‘The Anglo Saxon Chronicles’ nearby and looked up stories on the net. I didn’t try too hard to make sophisticated songs – I was concerned with telling the stories – in my view that is what folk is.

Mel on Whistle!

Mel on Whistle!

Fiddlin Flick

Fiddlin Flick on ‘Ethelred The Unready Blues’

 

 

 

 

 

 

I was supported by some wonderful musicians who helped on various songs – it was a joy to record with Mel from Tarantism on Flute, Steve Kerr on Guitar, Ed Branch from UK Decay on Bass and Fiddlin Flick on violin. There was a lot of improvisation which was awesome – I loved giving the musicians freedom to interpret the songs, and as we were recording they could do as many takes as they liked. Working with Spon I knew that he would work this way and we would pick through takes and get the best out of everyone.”

Tell us about Steve Spon

Spon recording01

Steve Spon at the controls

“Well we made three albums already, and by the second one I had grown pretty comfortable with working with him as sound engineer. Almost Anglo Saxon was brand new work for both of us and we jumped on it. Spon is senior producer, so I got to work closely with him on the production. To be honest it was stress free – he has so much experience and understood what I was trying to do. He is also interested in Anglo Saxon history so he brought ideas and creative strengths to the project.”

Almost Anglo Saxon Available NowClick Here to purchase Almost Anglo Saxon, the CD Album by Ella Jo

What is different about Almost Anglo Saxon?
“Well technically it is a concept album. Only a few bars of music survive from those times a thousand years ago, but there is evidence of the instruments that they used. We have come so far with today’s technology that once I began to imagine sounds and atmospheres Spon was able to make up versions of my ideas. We twiddled and tweaked and allowed the feelings of the songs to transpire. So while I was tapping into ideas for mead hall songs, Spon would be out trying to record our local owl. I mean this album really is a testament to the saying that your world is as big as your imagination: for example, we made sounds by throwing cutlery around the kitchen and I clog danced on a wooden staircase in my heels…

I want everybody to relate to the subjects covered in this album, its not all heavy, although I couldn’t escape the fact that there was a lot of war and invasion going on. But there is ample opportunity to dance, and sing along. There is even a love song (‘Through the Eyes of an Eagle’). I tried to keep the lyrics historically correct on this album – I think people are sick of listening to bullshit pop. So it should appeal to anyone with some musical sophistication – and I have no doubt there are many out there who love history and music. So I think the album has a broad appeal.

I enjoyed the challenge of singing what I had created. There were moments when I had to trust to improvisation during the recording process, which is how I came up with the coda of ‘Ethelred The Unready Blues’. I was immersed in a song I had not written an ending for, and just found it – some things I will never understand. So Almost Anglo Saxon is a concept album, but is not contrived like commercial pop.”

Gig-wise?

“I thought I was a bit shaky this year – finding it hot when I performed in the summer, I was very out of practice. I think my best performance was on Xmas Eve – I filled in one song when Garry and Jenny had a break at their gig at the Bedford Arms in Souldrop. I hadn’t prepared anything, so I got the audience to clap along and sung ‘The Raggle-Taggle Gypsies’ which is an old favourite. It was a jam really, but I know all the words so I trusted the flavour of the occasion and went for it! It was a lot of fun entertaining the folks in my local pub!”

Trying to remember how to play on a stage again!

Trying to remember how to play on a stage again!

The Future
“I have a lot of catching up to do on guitar. I felt so much better just singing, perhaps I will find a guitarist who can accompany me to take Almost Anglo Saxon live into the pubs and clubs – I would love to take people on a trip into history!”

Click Here to purchase Almost Anglo Saxon only £10 plus p&p – straight from the manufacturers

Click here to learn more about Anglo Saxon history and it’s music

Almost Anglo Saxon by Ella Jo

 This is a concept album as I wanted to start a brand new project with completely new ideas. It is very satisfying to research a subject, write about it as poetry and then find a tune and craft a song. This is what ‘Almost Anglo Saxon’ has mainly been about.

I wanted to write some songs about Anglo Saxon life as I am interested in the history. Also I wanted to explore a more historical approach to making the music. Nothing remains of Anglo Saxon music. They had certain instruments that we can be sure of, but no one knows what type of music they were playing, and so this gave me the freedom to just write songs as I like to and not look to any particular influence. If a tune moved me and sat with me, I would use it if I was sure it was ‘original’ enough. I don’t listen to any folk music really so just followed what I thought sounded authentic and pretty simple. 

I like to think each song tells a story and gives some insight into the human condition all those years ago. Included on the album are tracks called: The Song of Wayland Smithy, The Hidden Hoard, Dragon Ships, Wassail The Night, Feel Love, Ethelred – The Unready Blues, The Ballard Of St Margaret, The Minstrel’s Song and Vortigern’s Surprise.

In an attempt to deconstruct what we understand as ‘music’ we have used our imagination to visualize what Anglo Saxon musicians may have been inspired by, with modern day recording techniques. Thus we have sampled wolves, owls and other birds. The wind, the sea, bells, anything that we feel is appropriate to the song. Yet I have also included things that please me – we are not Anglo Saxons – the ‘Almost’ in the title gave me permission to sense the songs from a modern perspective.

The aim of this project is to entertain and educate. This project is also a testament to the skill of the sound engineer, Steve Spon, and proof that a simple concept can be such a lot of fun and be well received by music lovers of all types.

Find out more about the Anglo Saxons, their music and instruments in the following link:

Click here to learn more about the subjects tackled in the songs:

This album is available straight from the suppliers – TEN Awe-inspiring  tracks price £10 plus postage and packing!

Click HERE Buy Almost Anglo Saxon

 Track List:

Swirling and Whirling – A song about women’s magic!

The Hidden Hoard – The story behind buried treasure

Ethelred The Unready Blues – The ruler who consistently got things wrong!

Minstrel’s Song – reflecting on the life of the entertainers in Anglo Saxon Times and their value to society

Wassail The Night With Mead – A joyous adventure into the folk life of long ago

Ballard Of St Margaret – the story of a real Anglo Saxon Princess

Vortigern’s Surprise – A song about the invasions of the Anglo Saxons

Through the Eyes of An Eagle – A simple love song, based on characters from far off days.

The Song of Wayland Smithy – About the ancient folk story of an imprisoned smith

Dragon Ships – A woman sings a song about the Viking invasion of the Anglo Saxons

Tea on the Lawn, Umbrella Fair, Northampton

From folk to funk – its all here!

Well a busy time altogether means no time for blogging, but at last I got around to it. The last year has been all about writing and I have produced some children’s stories. I invented a witch called Gwubbins and sent her on adventures with her friends, many characters or figures based on folk I have known, with lots of fiction thrown in. Getting peoples kids to read the material and provide feedback has been an uphill struggle and I have to rely on my own judgement a lot.http://gwubbins.recklessrelic.co.uk/

I don’t engage with children very much, so these stories have been written for my own inner child to enjoy. I feel that I have discovered another facet for artistic expression.
Inventing playful characters and scenarios and honing it into a readable, engaging piece of work has been truly rewarding. The art of storytelling is no mean feat! I am shocked that I have spent so much time and effort on this project, and am totally immersed in the process. Hence, music practice was neglected, although we worked on my latest album in fits and starts, and I am sure it will be finished soon.

DancingSo I got offered a half hour slot at a little gathering called Tea on the Lawn and realized that I needed to practice like mad because my finger tips had gone soft and I had forgotten the chords. I was getting over a dislocated thumb (!) and had to fit practice times around the neighbours and wait for some space to bash the hell out of a guitar. Then, because I had practiced the songs at a fast tempo, the songs were too fast when I played them at the gig.

Trying to remember how to play on a stage again!

Ella Jo – I was trying to remember how to play on a stage again!

On a positive note I didn’t mess up and I remembered all the words. I had forgotten how it felt to perform, but the audience were generous and kind and it was not a disaster!

Engaging performance - strong songwriting!

Corinne Lucy – Engaging performance – strong songwriting!

There were other people doing their spots at Tea on the Lawn and I was blown away by the talent and enthusiasm. The goodness of the crowd, the punters and the organizers, was truly heartening. Check out – CorinneLucy.com

www.jimtom.org

www.jimtom.org

 

Mel on Whistle!

Mel on Whistle!

So I am going back for another crack at the open mike because I felt encouraged and supported, and who knows, it may be better this time?

It is fantastic to be given the opportunity to practice performance at this little gathering!

Tea on the Lawn Northampton 2014Look up and go!   www.umbrellafair.org.uk